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©2005-2009 *robertsloan2
:iconrobertsloan2:

Artist's Comments

Pigma Micron, Staedtler Triplus Fineliner and Winsor-Newton artist's watercolor on 140lb Canson Montval cold press watercolor paper.

Completed. Colors used, Winsor Blue and Winsor Green blended in the upper right twisted Trinity knot, Winsor Blue shaded in the rest of the knotwork. Rubrication and lettering colored in Warm Red Staedtler Triplus Fineliner, which is an awesome rubrication pen. Design adapted from Aidan Meehan, Celtic Design: Knotwork and original design on the upper right corner twisted and extended Trinity knot. Penciling done with an F grade Prismacolor Turquoise graphite drawing pencil, which erased clean and complete.

Comments


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:iconemeraldsugar:
Ooooooh, I love the knotwork, in particular the corner-piece in the top right, something about the colours and the way it twists into points just jumps to me. ~E.

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:stereo: "Lipsmackin' Thirstquenchin' Acetastin' Motivatin' Goodbuzzin' Cooltalkin' Highwalkin' Evergivin' Coolfizzin' Emerald Sugar." :floating:
:iconjeslica666:
Yes! It's colored! ^^' it looks awesome Robert!

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There's nothing wrong with happiness.
~~
Lunarsoft
~~
Sanity, drugs, and alcohol are overrated~ Dakkie
:iconartistichobbit:
wow robert this looks great colored. love ho you have the colors sort of entwined in the right corner

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:iconrobertsloan2:
Yep! Up in the right corner I gradually shaded from Winsor Green at the ends to Winsor Blue at the corner, and love that blue-green shading. Got to do more paintings with that combination!

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Robert A. Sloan, writer and artist
Visit Explore-Oil-Pastels-with-Robert-Sloan.com, my oil pastels site!
:iconrobertsloan2:
Thanks! Hee hee, everyone likes that corner, and that's the part that was the most original to me. Feels so good!

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Robert A. Sloan, writer and artist
Visit Explore-Oil-Pastels-with-Robert-Sloan.com, my oil pastels site!
:iconoldmagic55:
wow you are very good writer.. and it must took you forever to do that font..

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If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced.

-Vincent Van Gogh
:ahoy: :explosion: :fork: :picknose: :stab: :chew: :bonk: :evillaugh: :boogie: :tmnt2: :superman: :jawdrop: :rofl:
:iconartistichobbit:
its wonderful it really makes the wwork stand out. I like the green and blue colors you used on this peice looks great.

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:iconwillow-jack:
wow that is so gorgious. i expessially love how you did the blue corner fading into green on the upper right corner.

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Everyone is Ignorant to something.
:iconrobertsloan2:
Thank you! It's also now safely on the way to Kansas, by insured Priority Mail, so it will get there safe. Insurance on mail always seems to make them a little more careful with the packages.

I am so relieved the package is done and gone. I'd been dreading getting into that closet and packing it up, but I did it this morning and it wasn't that bad and it all got done. Despite much confusion I managed to get it out tonight at a huge 24-hour post office, and that is just so cool. I packed it using a plastic wrapped Amazon book stiffener so it's completely safe.

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Robert A. Sloan, writer and artist
Visit Explore-Oil-Pastels-with-Robert-Sloan.com, my oil pastels site!
:iconrobertsloan2:
It took me a good day doing this piece. It took a few weeks of playing an RPG and keeping my character record entirely in that font in a Pilot ultrafine green felt tip to get it to where I was familiar with it, though I hadn't done it for a couple of years and refreshed my memory checking my calligraphy book. It's not that hard to learn that one, and it's very dramatic.

When it's printed, it's called a 'font.' In calligraphy a style like half-uncial is called a 'hand' and cursive handwriting is Palmer script, usually done sloppy with a lot of variations. I want to learn to do Copperplate Script and that is hard but it'll be very satisfying when I get it!

--
Robert A. Sloan, writer and artist
Visit Explore-Oil-Pastels-with-Robert-Sloan.com, my oil pastels site!

Details

December 4, 2005
319 KB
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